Guffanti Film Laboratory, USA/Technicolor East, New York, USA
Sound Mix:
Dolby Digital
Aspect Ratio:
1.85 : 1
Cinematographic Process:
Super 16
Film Negative Format:
16 mm - Kodak
Printed Film Format:
35 mm - blow-up
Film Length:
3163 m
Quotes:
Silent Bob: [To Holden, who has just revealed his trouble with Alyssa] You're Chasing Amy. Holden: [Shocked that Silent Bob has broken his Silence] What? What did you say? Silent Bob: You're Chasing Amy. Jay: What do you look so shocked for, man, fat bastard does this all the time. He thinks just cause he doesn't say anything, it'll have this huge impact when he does open his f**kin' mouth-- Silent Bob: Jesus Christ, why don't you shut up? You're always yap-yap-yappin' all the time, you're givin' me a f**kin' headache. [to Holden] I went through something like what you're talkin' 'bout, 'couple years ago, this chick named Amy. Jay: When? Silent Bob: [annoyed] A couple of years ago?
Banky: This is all going to end badly.
Alyssa: I love you, I always will. Know that. But I'm not your f**king whore.
Banky: All every woman really wants, be it mother, senator, nun, is some serious deep-dickin'.
Banky: I feel a hate crime coming on.
Trivia:
Banky's comic "Baby Dave" is a reference to David Klein, director of photography for Clerks., Mallrats, and Chasing Amy.
The Button on Hooper's jacket during the "black rage" scene says "The Black Man is God."
Kevin Smith wrote the script to Chasing Amy inspired by his experience with then girlfriend Joey Lauren Adams.
When Holden and Alyssa go skee-balling, there is a coin machine with the name "Gottlieb" on it (a major arcade-game maker). Carl Gottlieb was the co-writer of the Jaws screenplay, favorite film of director Kevin Smith.
During Hooper's convention speech about racism in science fiction, Star Wars and its sequels are discussed.
Credits Fun:
After the end credits, Jay and Silent Bob have a final exchange.
Jay and Silent Bob will return in Dogma (we promise)
To all the critics that didn't like our last movie: "All is forgiven."
The director would like to thank...
GOD - For all that's come before, all that'll come after, and most importantly, for right now.
JOEY - For giving me something personal to say. I love you poopie. (First one who laughs gets decked!)
SCOTT - Master of the Impossible, ying to my yang, heart of my heart... He's my cherry pie.
BEN - Outstanding. Outstanding, this guy.
JASON LEE - For kicking it Reynold's style.
DWIGHT - Hi Duh-Wight.
JAY - My little Mewes.
JON GORDON - Why, Why, Why?!?
MOM & DAD - I know I've got a PG in me somewhere.
JOHN PIERSON - Guru, Czar, friend.
DAVE - For the prettiest pictures yet. At bargain basement prices, no less!
BOB HAWK - For being there from the start, teaching us what makes a movie great, and always doing the dishes.
HARVEY - Who, like a good parent, gives us money, offers endless moral support, and spanks us when we need spanking (okay... everything but the spanking part).
MIKE ALLRED - For fulfilling this fanboy's dream. See you in the funny papers.
THE CAST AND CREW - Who worked for nothing, yet gave everything.
MATT SEITZ - For the one review that made a difference.
BRIAN MACKEWICH AND BAM - For the extra mile... and the hundred more that followed.
DVD Easter Eggs: (Hidden So You Don't See Anything You Don't Want To See)
Edition: Criterion Collection
Region: 1
Description: Hidden Introduction to color bars
In the Color Bars section on the DVD (to allow for adjusting your television/monitor coloration settings) you will see a short introduction to these color bars by Smith, Afflek, Mewes and Mosier.
Dolby Digital
are trademarks of Dolby Laboratories Licensing Corporation.
is a trademark of Lucasfilm Ltd.