Guffanti Film Laboratory, USA/Technicolor East, New York, USA
Sound Mix:
Dolby Digital
Aspect Ratio:
1.85 : 1
Cinematographic Process:
Super 16
Film Negative Format:
16 mm - Kodak
Printed Film Format:
35 mm - blow-up
Film Length:
3163 m
Quotes:
Banky: All every woman really wants, be it mother, senator, nun, is some serious deep-dickin'.
Holden: So, uh, what do you wanna do tonight? Banky: Mmm, get a pizza, watch "Degrassi Jr. High." Holden: You got a weird thing for Canadian melodrama. Banky: I got a weird thing for girls who say "aboot."
Banky: I feel a hate crime coming on.
Silent Bob: But, by the time I figured this all out, it was too late; she moved on. And all I had to show for it was some foolish pride which then gave way to regret. She was the girl. I know that now. But, I pushed her away. So I've spent everyday since then chasing Amy. So to speak.
Alyssa: I love you, I always will. Know that. But I'm not your f**king whore.
Trivia:
This is the third film in Kevin Smith's intricately interconnected View Askewniverse series (the others being Clerks., Mallrats, Dogma and Jay and Silent Bob Strike Back). The movies are all linked by characters, themes and events and each contains numerous references to the others.
Kevin smith wrote the three issues of the "Bluntman and Chronic" comic book that Holden and Banky produce within the film, and released them through Image Comics. Inside each issue, Smith credited: Written by Banky Edwards and Holden McNeil, Pencils by Holden McNeil, Inks by Banky Edwards.
During Hooper's convention speech about racism in science fiction, Star Wars and its sequels are discussed.
Banky's comic "Baby Dave" is a reference to David Klein, director of photography for Clerks., Mallrats, and Chasing Amy.
The sequence in the club, where Banky and Alyssa compare cunnilingus scars and stories, parodies a similar scene on board the boat in Jaws between Hooper and Quint.
Credits Fun:
After the end credits, Jay and Silent Bob have a final exchange.
Jay and Silent Bob will return in Dogma (we promise)
To all the critics that didn't like our last movie: "All is forgiven."
The director would like to thank...
GOD - For all that's come before, all that'll come after, and most importantly, for right now.
JOEY - For giving me something personal to say. I love you poopie. (First one who laughs gets decked!)
SCOTT - Master of the Impossible, ying to my yang, heart of my heart... He's my cherry pie.
BEN - Outstanding. Outstanding, this guy.
JASON LEE - For kicking it Reynold's style.
DWIGHT - Hi Duh-Wight.
JAY - My little Mewes.
JON GORDON - Why, Why, Why?!?
MOM & DAD - I know I've got a PG in me somewhere.
JOHN PIERSON - Guru, Czar, friend.
DAVE - For the prettiest pictures yet. At bargain basement prices, no less!
BOB HAWK - For being there from the start, teaching us what makes a movie great, and always doing the dishes.
HARVEY - Who, like a good parent, gives us money, offers endless moral support, and spanks us when we need spanking (okay... everything but the spanking part).
MIKE ALLRED - For fulfilling this fanboy's dream. See you in the funny papers.
THE CAST AND CREW - Who worked for nothing, yet gave everything.
MATT SEITZ - For the one review that made a difference.
BRIAN MACKEWICH AND BAM - For the extra mile... and the hundred more that followed.
DVD Easter Eggs: (Hidden So You Don't See Anything You Don't Want To See)
Edition: Criterion Collection
Region: 1
Description: Hidden Introduction to color bars
In the Color Bars section on the DVD (to allow for adjusting your television/monitor coloration settings) you will see a short introduction to these color bars by Smith, Afflek, Mewes and Mosier.
Dolby Digital
are trademarks of Dolby Laboratories Licensing Corporation.
is a trademark of Lucasfilm Ltd.