Guffanti Film Laboratory, USA/Technicolor East, New York, USA
Sound Mix:
Dolby Digital
Aspect Ratio:
1.85 : 1
Cinematographic Process:
Super 16
Film Negative Format:
16 mm - Kodak
Printed Film Format:
35 mm - blow-up
Film Length:
3163 m
Quotes:
Banky: This is all going to end badly.
Banky: I feel a hate crime coming on.
Holden: So, uh, what do you wanna do tonight? Banky: Mmm, get a pizza, watch "Degrassi Jr. High." Holden: You got a weird thing for Canadian melodrama. Banky: I got a weird thing for girls who say "aboot."
Hooper: Check this s**t. You got cracker farm boy Luke Skywalker, Nazi poster boy, blond hair, blue eyes. And then you got Darth Vader, the blackest brother in the galaxy, Nubian god! Banky: What's a Nubian? Hooper: Shut the f**k up!
Banky: Alright, now see this? This is a four-way road, OK? And dead in the center is a crisp, new, hundred dollar bill. Now, at the end of each of these streets are four people, OK? Are you following? Holden: Yeah. Banky: Good. Over here, we have a male-affectionate, easy to get along with, non-political agenda lesbian. Down here, we have a man-hating, angry as f**k, agenda of rage, bitter dyke. Over here, we got Santa Claus, and up here the Easter Bunny. Which one is going to get to the hundred dollar bill first? Holden: What is this supposed to prove? Banky: No, I'm serious. This is a serious exercise. It's like an SAT question. Which one is going to get to the hundred dollar bill first? The male-friendly lesbian, the man-hating dyke, Santa Claus, or the Easter bunny? Holden: The man-hating dyke. Banky: Good. Why? Holden: I don't know. Banky: Because the other three are figments of your f**king imagination!
Trivia:
Holden and Banky are both characters in J. D. Salinger's novel, "The Catcher in the Rye". (In the novel, "Ed Banky" was a gym teacher who would let students borrow his car so they could make out and have sex with their girlfriends.)
During Hooper's convention speech about racism in science fiction, Star Wars and its sequels are discussed.
Banky's comic "Baby Dave" is a reference to David Klein, director of photography for Clerks., Mallrats, and Chasing Amy.
This is the third film in Kevin Smith's intricately interconnected View Askewniverse series (the others being Clerks., Mallrats, Dogma and Jay and Silent Bob Strike Back). The movies are all linked by characters, themes and events and each contains numerous references to the others.
Credits Fun:
After the end credits, Jay and Silent Bob have a final exchange.
Jay and Silent Bob will return in Dogma (we promise)
To all the critics that didn't like our last movie: "All is forgiven."
The director would like to thank...
GOD - For all that's come before, all that'll come after, and most importantly, for right now.
JOEY - For giving me something personal to say. I love you poopie. (First one who laughs gets decked!)
SCOTT - Master of the Impossible, ying to my yang, heart of my heart... He's my cherry pie.
BEN - Outstanding. Outstanding, this guy.
JASON LEE - For kicking it Reynold's style.
DWIGHT - Hi Duh-Wight.
JAY - My little Mewes.
JON GORDON - Why, Why, Why?!?
MOM & DAD - I know I've got a PG in me somewhere.
JOHN PIERSON - Guru, Czar, friend.
DAVE - For the prettiest pictures yet. At bargain basement prices, no less!
BOB HAWK - For being there from the start, teaching us what makes a movie great, and always doing the dishes.
HARVEY - Who, like a good parent, gives us money, offers endless moral support, and spanks us when we need spanking (okay... everything but the spanking part).
MIKE ALLRED - For fulfilling this fanboy's dream. See you in the funny papers.
THE CAST AND CREW - Who worked for nothing, yet gave everything.
MATT SEITZ - For the one review that made a difference.
BRIAN MACKEWICH AND BAM - For the extra mile... and the hundred more that followed.
DVD Easter Eggs: (Hidden So You Don't See Anything You Don't Want To See)
Edition: Criterion Collection
Region: 1
Description: Hidden Introduction to color bars
In the Color Bars section on the DVD (to allow for adjusting your television/monitor coloration settings) you will see a short introduction to these color bars by Smith, Afflek, Mewes and Mosier.