Guffanti Film Laboratory, USA/Technicolor East, New York, USA
Sound Mix:
Dolby Digital
Aspect Ratio:
1.85 : 1
Cinematographic Process:
Super 16
Film Negative Format:
16 mm - Kodak
Printed Film Format:
35 mm - blow-up
Film Length:
3163 m
Quotes:
Banky: I feel a hate crime coming on.
Silent Bob: [To Holden, who has just revealed his trouble with Alyssa] You're Chasing Amy. Holden: [Shocked that Silent Bob has broken his Silence] What? What did you say? Silent Bob: You're Chasing Amy. Jay: What do you look so shocked for, man, fat bastard does this all the time. He thinks just cause he doesn't say anything, it'll have this huge impact when he does open his f**kin' mouth-- Silent Bob: Jesus Christ, why don't you shut up? You're always yap-yap-yappin' all the time, you're givin' me a f**kin' headache. [to Holden] I went through something like what you're talkin' 'bout, 'couple years ago, this chick named Amy. Jay: When? Silent Bob: [annoyed] A couple of years ago?
Silent Bob: But, by the time I figured this all out, it was too late; she moved on. And all I had to show for it was some foolish pride which then gave way to regret. She was the girl. I know that now. But, I pushed her away. So I've spent everyday since then chasing Amy. So to speak.
Banky: All every woman really wants, be it mother, senator, nun, is some serious deep-dickin'.
Banky: This is all going to end badly.
Trivia:
Banky's comic "Baby Dave" is a reference to David Klein, director of photography for Clerks., Mallrats, and Chasing Amy.
Holden and Banky are both characters in J. D. Salinger's novel, "The Catcher in the Rye". (In the novel, "Ed Banky" was a gym teacher who would let students borrow his car so they could make out and have sex with their girlfriends.)
Kevin smith wrote the three issues of the "Bluntman and Chronic" comic book that Holden and Banky produce within the film, and released them through Image Comics. Inside each issue, Smith credited: Written by Banky Edwards and Holden McNeil, Pencils by Holden McNeil, Inks by Banky Edwards.
During the scene where Holden and Alyssa are playing darts, men are going in and out of the women's bathroom and women are going in and out of the men's bathroom.
Credits Fun:
After the end credits, Jay and Silent Bob have a final exchange.
Jay and Silent Bob will return in Dogma (we promise)
To all the critics that didn't like our last movie: "All is forgiven."
The director would like to thank...
GOD - For all that's come before, all that'll come after, and most importantly, for right now.
JOEY - For giving me something personal to say. I love you poopie. (First one who laughs gets decked!)
SCOTT - Master of the Impossible, ying to my yang, heart of my heart... He's my cherry pie.
BEN - Outstanding. Outstanding, this guy.
JASON LEE - For kicking it Reynold's style.
DWIGHT - Hi Duh-Wight.
JAY - My little Mewes.
JON GORDON - Why, Why, Why?!?
MOM & DAD - I know I've got a PG in me somewhere.
JOHN PIERSON - Guru, Czar, friend.
DAVE - For the prettiest pictures yet. At bargain basement prices, no less!
BOB HAWK - For being there from the start, teaching us what makes a movie great, and always doing the dishes.
HARVEY - Who, like a good parent, gives us money, offers endless moral support, and spanks us when we need spanking (okay... everything but the spanking part).
MIKE ALLRED - For fulfilling this fanboy's dream. See you in the funny papers.
THE CAST AND CREW - Who worked for nothing, yet gave everything.
MATT SEITZ - For the one review that made a difference.
BRIAN MACKEWICH AND BAM - For the extra mile... and the hundred more that followed.
DVD Easter Eggs: (Hidden So You Don't See Anything You Don't Want To See)
Edition: Criterion Collection
Region: 1
Description: Hidden Introduction to color bars
In the Color Bars section on the DVD (to allow for adjusting your television/monitor coloration settings) you will see a short introduction to these color bars by Smith, Afflek, Mewes and Mosier.