Guffanti Film Laboratory, USA/Technicolor East, New York, USA
Sound Mix:
Dolby Digital
Aspect Ratio:
1.85 : 1
Cinematographic Process:
Super 16
Film Negative Format:
16 mm - Kodak
Printed Film Format:
35 mm - blow-up
Film Length:
3163 m
Quotes:
Banky: I feel a hate crime coming on.
Alyssa: I love you, I always will. Know that. But I'm not your f**king whore.
Banky: This is all going to end badly.
Banky: Alright, now see this? This is a four-way road, OK? And dead in the center is a crisp, new, hundred dollar bill. Now, at the end of each of these streets are four people, OK? Are you following? Holden: Yeah. Banky: Good. Over here, we have a male-affectionate, easy to get along with, non-political agenda lesbian. Down here, we have a man-hating, angry as f**k, agenda of rage, bitter dyke. Over here, we got Santa Claus, and up here the Easter Bunny. Which one is going to get to the hundred dollar bill first? Holden: What is this supposed to prove? Banky: No, I'm serious. This is a serious exercise. It's like an SAT question. Which one is going to get to the hundred dollar bill first? The male-friendly lesbian, the man-hating dyke, Santa Claus, or the Easter bunny? Holden: The man-hating dyke. Banky: Good. Why? Holden: I don't know. Banky: Because the other three are figments of your f**king imagination!
Silent Bob: But, by the time I figured this all out, it was too late; she moved on. And all I had to show for it was some foolish pride which then gave way to regret. She was the girl. I know that now. But, I pushed her away. So I've spent everyday since then chasing Amy. So to speak.
Trivia:
Banky's comic "Baby Dave" is a reference to David Klein, director of photography for Clerks., Mallrats, and Chasing Amy.
The sign for the Manhattan Comiccon notes that the event is presented by "Flanagan Events". This is a reference to Walter Flanagan, who played several roles in both Clerks. and Mallrats. He was supposed to be in Chasing Amy as Walt the fan boy, but his Scenes were deleted.
The sequence in the club, where Banky and Alyssa compare cunnilingus scars and stories, parodies a similar scene on board the boat in Jaws between Hooper and Quint.
When Holden and Alyssa go skee-balling, there is a coin machine with the name "Gottlieb" on it (a major arcade-game maker). Carl Gottlieb was the co-writer of the Jaws screenplay, favorite film of director Kevin Smith.
After the end credits, Jay and Silent Bob have a final exchange.
Jay and Silent Bob will return in Dogma (we promise)
To all the critics that didn't like our last movie: "All is forgiven."
The director would like to thank...
GOD - For all that's come before, all that'll come after, and most importantly, for right now.
JOEY - For giving me something personal to say. I love you poopie. (First one who laughs gets decked!)
SCOTT - Master of the Impossible, ying to my yang, heart of my heart... He's my cherry pie.
BEN - Outstanding. Outstanding, this guy.
JASON LEE - For kicking it Reynold's style.
DWIGHT - Hi Duh-Wight.
JAY - My little Mewes.
JON GORDON - Why, Why, Why?!?
MOM & DAD - I know I've got a PG in me somewhere.
JOHN PIERSON - Guru, Czar, friend.
DAVE - For the prettiest pictures yet. At bargain basement prices, no less!
BOB HAWK - For being there from the start, teaching us what makes a movie great, and always doing the dishes.
HARVEY - Who, like a good parent, gives us money, offers endless moral support, and spanks us when we need spanking (okay... everything but the spanking part).
MIKE ALLRED - For fulfilling this fanboy's dream. See you in the funny papers.
THE CAST AND CREW - Who worked for nothing, yet gave everything.
MATT SEITZ - For the one review that made a difference.
BRIAN MACKEWICH AND BAM - For the extra mile... and the hundred more that followed.
DVD Easter Eggs: (Hidden So You Don't See Anything You Don't Want To See)
Edition: Criterion Collection
Region: 1
Description: Hidden Introduction to color bars
In the Color Bars section on the DVD (to allow for adjusting your television/monitor coloration settings) you will see a short introduction to these color bars by Smith, Afflek, Mewes and Mosier.