Guffanti Film Laboratory, USA/Technicolor East, New York, USA
Sound Mix:
Dolby Digital
Aspect Ratio:
1.85 : 1
Cinematographic Process:
Super 16
Film Negative Format:
16 mm - Kodak
Printed Film Format:
35 mm - blow-up
Film Length:
3163 m
Quotes:
Hooper: Check this s**t. You got cracker farm boy Luke Skywalker, Nazi poster boy, blond hair, blue eyes. And then you got Darth Vader, the blackest brother in the galaxy, Nubian god! Banky: What's a Nubian? Hooper: Shut the f**k up!
Alyssa: I love you, I always will. Know that. But I'm not your f**king whore.
Silent Bob: But, by the time I figured this all out, it was too late; she moved on. And all I had to show for it was some foolish pride which then gave way to regret. She was the girl. I know that now. But, I pushed her away. So I've spent everyday since then chasing Amy. So to speak.
Banky: All every woman really wants, be it mother, senator, nun, is some serious deep-dickin'.
Hooper: For years in this industry, whenever an African American character, hero or villain, was introduced - usually by white artists and writers - they got slapped with racist names that singled them out as Negroes. Now, my book, "White-Hating Coon," don't have none of that bullshit. The hero's name is Maleekwa, and he's descended from the black tribe that established the first society on the planet, while all you European... Holden: Ah, that's a bunch of horse-shit! Lando Calrissian was a black guy. He got to fly the Millenium Falcon! Hooper: Who said that? Holden: I did! Lando Calrissian is a strong role-model for the African-American community! Hooper: Man, f**k Lando Calrissian! Uncle-Tom nigger!
Trivia:
When Holden and Alyssa go skee-balling, there is a coin machine with the name "Gottlieb" on it (a major arcade-game maker). Carl Gottlieb was the co-writer of the Jaws screenplay, favorite film of director Kevin Smith.
Joey Lauren Adams wrote the song she sings. It was originally a country song but Kevin Smith requested they pump it up a bit.
During Hooper's convention speech about racism in science fiction, Star Wars and its sequels are discussed.
This is the third film in Kevin Smith's intricately interconnected View Askewniverse series (the others being Clerks., Mallrats, Dogma and Jay and Silent Bob Strike Back). The movies are all linked by characters, themes and events and each contains numerous references to the others.
Credits Fun:
After the end credits, Jay and Silent Bob have a final exchange.
Jay and Silent Bob will return in Dogma (we promise)
To all the critics that didn't like our last movie: "All is forgiven."
The director would like to thank...
GOD - For all that's come before, all that'll come after, and most importantly, for right now.
JOEY - For giving me something personal to say. I love you poopie. (First one who laughs gets decked!)
SCOTT - Master of the Impossible, ying to my yang, heart of my heart... He's my cherry pie.
BEN - Outstanding. Outstanding, this guy.
JASON LEE - For kicking it Reynold's style.
DWIGHT - Hi Duh-Wight.
JAY - My little Mewes.
JON GORDON - Why, Why, Why?!?
MOM & DAD - I know I've got a PG in me somewhere.
JOHN PIERSON - Guru, Czar, friend.
DAVE - For the prettiest pictures yet. At bargain basement prices, no less!
BOB HAWK - For being there from the start, teaching us what makes a movie great, and always doing the dishes.
HARVEY - Who, like a good parent, gives us money, offers endless moral support, and spanks us when we need spanking (okay... everything but the spanking part).
MIKE ALLRED - For fulfilling this fanboy's dream. See you in the funny papers.
THE CAST AND CREW - Who worked for nothing, yet gave everything.
MATT SEITZ - For the one review that made a difference.
BRIAN MACKEWICH AND BAM - For the extra mile... and the hundred more that followed.
DVD Easter Eggs: (Hidden So You Don't See Anything You Don't Want To See)
Edition: Criterion Collection
Region: 1
Description: Hidden Introduction to color bars
In the Color Bars section on the DVD (to allow for adjusting your television/monitor coloration settings) you will see a short introduction to these color bars by Smith, Afflek, Mewes and Mosier.