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Plot Summary:
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After investigating a mysterious transmission of unknown origin, the crew of a commercial spacecraft encounters a deadly lifeform. |
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Cast: (First 20, for the rest click 'Show All Cast & Crew' below.)
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| Show All Cast & Crew |
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Miscellaneous Companies:
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- Animals Unlimited
- Jones trained by
- Anvil Recording Studios
- music recorded at
- Lee Lighting Ltd.
- lighting
- R/Greenberg Associates Inc.
- title design
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- Sony U.K. Ltd.
- video equipment
- Steve Frankfurt Communications
- title design
- Thorn EMI Elstree Studios
- post-production
- Tony Silver Films
- title design
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Special Effects Department:
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- Filmfex Animation Services Ltd.
- special optical effects
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Filming Locations: (Now With Clickable Links To Location On Google Maps)
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Tech Info:
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- Budget:
- $11,000,000
- Revenue:
- $104,931,801
- Camera:
- Panavision Cameras and Lenses
- Color Info:
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Color (DeLuxe)
- Laboratory:
- DeLuxe, USA / Rank Film Laboratories, Denham, UK
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- Aspect Ratio:
- 2.35 : 1
- Cinematographic Process:
- Panavision
- Film Negative Format:
- 35 mm - Kodak 5247
- Printed Film Format:
- 35 mm / 70 mm
- Production Dates:
- 05 Jul 1978 - Dec 1978
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Quotes:
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[Ripley has tried to disengage the self-destruct.]
Ripley: Mother! Turn the cooling unit back on! Mother! ...You bitch!
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Ripley: Ash, that transmission -- Mother's deciphered part of it. It doesn't look like an S.O.S.
Ash: Well, what is it, then?
Ripley: Well, I, it looks like a warning. I'm going to go out after them.
Ash: What's the point? I mean... by the time it takes to get there, you'll, they'll know if it's a warning or not, yes?
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[After discovering the alien bleeds acid.]
Parker: It's got a wonderful defense mechanism: you don't dare kill it.
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Lambert: I can't see a goddamn thing.
Kane: Quit griping!
Lambert: I like griping.
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Ripley: Whenever he says *anything* you say "right," Brett, you know that?
Brett: Right!
Ripley: Parker, what do you think? Your staff just follows you around and says "right"? Looks like a regular parrot.
Parker: [laughs] Yes... What, are you some kind of parrot?
Brett: Right!
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Trivia:
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- The models had to be repainted every evening of the shoot because the slime used on-set removed the acrylic paint from their surfaces.
- According to a quote from Veronica Cartwright in a film magazine, in the scene where the alien's tail wraps around her legs, they are actually Harry Dean Stanton's legs, in a shot originally filmed for another scene entirely.
- The embryonic movements of the "face hugger" (prior to bursting out of its egg) were created by Ridley Scott using both his rubber-gloved hands
- The vector graphics that appear on Ripley's screen showing the undocking sequence for the Nostromo were also used for the aircar launch sequence in Blade Runner.
- The computer screen displaying Nostromo's orbit around the planet contains a hidden credit to Dr. Brian Wyvill, one of the programmers for the animation. Within the top frame entitled Deorbital Descent, it is possible to isolate the letters "BLOB", Dr. Wyvill's common nickname.
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are trademarks of Dolby Laboratories Licensing Corporation.
is a trademark of Lucasfilm Ltd.