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Plot Summary:
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After investigating a mysterious transmission of unknown origin, the crew of a commercial spacecraft encounters a deadly lifeform. |
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Cast: (First 20, for the rest click 'Show All Cast & Crew' below.)
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| Show All Cast & Crew |
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Miscellaneous Companies:
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- Animals Unlimited
- Jones trained by
- Anvil Recording Studios
- music recorded at
- Lee Lighting Ltd.
- lighting
- R/Greenberg Associates Inc.
- title design
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- Sony U.K. Ltd.
- video equipment
- Steve Frankfurt Communications
- title design
- Thorn EMI Elstree Studios
- post-production
- Tony Silver Films
- title design
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Special Effects Department:
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- Filmfex Animation Services Ltd.
- special optical effects
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Filming Locations: (Now With Clickable Links To Location On Google Maps)
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Tech Info:
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- Budget:
- $11,000,000
- Revenue:
- $104,931,801
- Camera:
- Panavision Cameras and Lenses
- Color Info:
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Color (DeLuxe)
- Laboratory:
- DeLuxe, USA / Rank Film Laboratories, Denham, UK
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- Aspect Ratio:
- 2.35 : 1
- Cinematographic Process:
- Panavision
- Film Negative Format:
- 35 mm - Kodak 5247
- Printed Film Format:
- 35 mm / 70 mm
- Production Dates:
- 05 Jul 1978 - Dec 1978
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Quotes:
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Lambert: I can't see a goddamn thing.
Kane: Quit griping!
Lambert: I like griping.
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Ripley: Come on, Ash, I mean, the Science Department should be able to help us. What can we do to drive it?
Ash: Yes, well, it has adapted remarkably well to our atmosphere considering its nutritional requirements. The only thing we don't know about is temperature.
Ripley: OK, what about temperature? What happens if we change it?
Ash: Let's try it. Most animals retreat from fire, yes?
Dallas: Fire, yeah.
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Parker: Before we dock, I think we ought to discuss the bonus situation. Brett and I, we think we ought to, we deserve full shares. Right?
Brett: You see, Mr. Parker and I feel that the bonus situation has never been on a, an equitable level.
Dallas: Well, you get what you contracted for like everybody else.
Brett: Yes, but everybody else gets more than us.
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[Last line]
Ripley: Cargo and ship destroyed. I should reach the frontier in about 6 weeks. With a little luck, the network will pick me up. This is Ripley, last survivor of The Nostromo, signing off.
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Kane: Oh, I feel dead.
Parker: Anybody ever tell you you look dead?
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Trivia:
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- Much of the dialogue was developed through improvisation.
- The vector graphics that appear on Ripley's screen showing the undocking sequence for the Nostromo were also used for the aircar launch sequence in Blade Runner.
- The embryonic movements of the "face hugger" (prior to bursting out of its egg) were created by Ridley Scott using both his rubber-gloved hands
- Three aliens were made: a model and two suits. One of the suits was for the seven foot tall Masai tribesman Bolajo Bolaji, and the other was for a trained stunt man.
- Roger Dicken, who designed and operated the "face hugger" and the "chest burster," had originally wanted the latter to pull itself out of Kane's torso with its own little hands, a sequence he felt would have produced a much more horrifying effect than the gratuitous blood and guts in the release print.
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are trademarks of Dolby Laboratories Licensing Corporation.
is a trademark of Lucasfilm Ltd.