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| Directed by | Irvin Kershner | |
| Produced by | Gary Kurtz | |
| Screenplay by | Leigh Brackett and Lawrence Kasdan | |
| Story by | George Lucas | |
| Executive Producer | George Lucas | |
| Production Designer | Norman Reynolds | |
| Director of Photography | Peter Suschitzky, B.S.C. | |
| Edited by | Paul Hirsch, A.C.E. | |
| Special Visual Effects | Brian Johnson | |
| Richard Edlund | ||
| Music by | John Williams | |
| Performed by | The London Symphony Orchestra | |
| Associate Producers | Robert Watts | |
| James Bloom | ||
| Design Consultant and Conceptual Artist | Ralph McQuarrie | |
| Art Directors | Leslie Dilley | |
| Harry Lange | ||
| Alan Tomkins | ||
| Set Decorator | Michael Ford | |
| Construction Manager | Bill Welch | |
| Assistant Art Directors | Michael Lamont | |
| Fred Hole | ||
| Sketch Artist | Ivor Beddoes | |
| Draftsmen | Ted Ambrose | |
| Michael Boone | ||
| Reg Bream | ||
| Steve Cooper | ||
| Richard Dawking | ||
| Modellers | Fred Evans | |
| Allan Moss | ||
| Jan Stevens | ||
| Chief Buyer | Edward Rodrigo | |
| Construction Storeman | Dave Middleton | |
| Operating Cameramen | Kelvin Pike | |
| David Garfath | ||
| Assistant Cameramen | Maurice Arnold | |
| Chris Tanner | ||
| Second Assistant Cameramen | Peter Robinson | |
| Madelyn Most | ||
| Dolly Grips | Dennis Lewis | |
| Brian Osborn | ||
| Matte Photography Consultant | Stanley Bayer, B.S.C. | |
| Gaffer | Laurie Shane | |
| Rigging Gaffer | John Clark | |
| Lighting Equipment and Crew from Les Electric | ||
| Make Up and Special Creature Design | Stuart Freeborn | |
| Chief Make-up Artist | Graham Freeborn | |
| Make-up Artists | Kay Freeborn | |
| Nick Maley | ||
| Chief Hairdresser | Barbara Ritchie | |
| Yoda Fabrication | Wendy Midener | |
| Costume Designer | John Mollo | |
| Wardrobe Supervisor | Tiny Nicholls | |
| Wardrobe Mistress | Eileen Sullivan | |
| Property Master | Frank Bruton | |
| Property Supervisor | Charles Turbett | |
| Property Dressing Supervisor | Joe Dipple | |
| Head Carpenter | George Gunning | |
| Head Plasterer | Bert Rodwell | |
| Head Rigger | Red Lawrence | |
| Sound Design and Supervising Sound Effects Editor | Ben Burtt | |
| Sound Editors | Richard Burrow | |
| Teresa Eckton | ||
| Bonnie Koenler | ||
| Production Sound | Peter Sutton | |
| Sound Boom Operator | Don Wortham | |
| Production Maintenance | Ron Butcher | |
| Re-recording | Bill Varney | |
| Steve Maslow | ||
| Gregg Landaker | ||
| Music Recording | Eric Tomlinson | |
| Orchestrations | Herbert W. Spencer | |
| Supervising Music Editor | Kenneth Wannberg | |
| Assistant Film Editors | Duwayne Dunham | |
| Phil Sanderson | ||
| Barbara Ellis | ||
| Steve Starkey | ||
| Paul Tomlinson | ||
| Dialogue Editors | Curt Schulkey | |
| Leslie Shatz | ||
| Joanne D'Antonio | ||
| Optical Coordinator | Roberta Friedman | |
| Assistant Sound Editors | John Benson | |
| Joanna Cappuccilli | ||
| Ken Fischer | ||
| Craig Jaeger | ||
| Nancy Jencks | ||
| Laurel Ladevich | ||
| Foley Editors | Robert Rutledge | |
| Scott Hecker | ||
| Foley Assistants | Edward M. Steidele | |
| John Roesh | ||
| Sound Effects Recording | Randy Thom | |
| Recording Technicians | Gary Summers | |
| Howie | ||
| Kevin O'Connell | ||
| Production Supervisor | Bruce Sharman | |
| Assistant Production Manager | Patricia Carr | |
| Production Coordinator | Miki Herman | |
| First Assistant Director | David Tomblin | |
| Second Assistant Directors | Steve Lanning | |
| Roy Button | ||
| Location Manager | Philip Kohler | |
| Continuity | Kay Rawlings | |
| Pamela Mann | ||
| Casting | Irene Lamb | |
| Terry Liebling | ||
| Bob Edmiston | ||
| Assistant to Producer | Bunny Alsup | |
| Assistant to Director | Debbie Shaw | |
| Assistant to Executive Producer | Jane Bay | |
| Production Assistants | Barbara Harley | |
| Nick Laws | ||
| Charles Wessler | ||
| Stunt Coordinator | Peter Diamond | |
| Stunt Doubles | Bob Anderson | |
| Colin Skeaping | ||
| Production Accountant | Ron Phipps | |
| Assistant Accountant | Michael Larkins | |
| Set Cost Controller | Ken Gordon | |
| Location Accountant | Ron Cook | |
| Still Photographer | George Whitear | |
| Unit Publicist | Alan Arnold | |
| Assistant Publicist | Kirsten Wing | |
Studio Second Unit |
||
| Directors | Harley Cokliss | |
| John Barry | ||
| Director of Photography | Chris Menges | |
| Assistant Director | Dominic Fulford | |
| Second Assistant Director | Andrew Montgomery | |
Location Second Unit |
||
| Director | Peter MacDonald | |
| Director of Photography | Geoff Glover | |
| Operating Cameraman | Bob Smith | |
| Assistant Cameramen | John Campbell | |
| Mike Brewster | ||
| Second Assistant Cameramen | John Keen | |
| Greg Dupre | ||
| Dolly Grip | Frank Batt | |
| Production Manager | Svein Johansen | |
| Assistant Directors | Bill Westley | |
| Ola Solum | ||
Production and Mechanical Effects Unit |
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| Mechanical Effects Supervision | Nick Allder | |
| Location Unit Supervisor | Allan Bryce | |
| Senior Effects Technicians | Neil Swan | |
| Dave Watkins | ||
| Robot Fabrication and Supervision | Andrew Kelly | |
| Ron Howe | ||
| Effects Technicians | Phil Knowles | |
| Barry Whitrod | ||
| Martin Gant | ||
| Brian Eke | ||
| Guy Hudson | ||
| Dennis Lowe | ||
| Effects Engineering | Roger Nicholls | |
| Steve Lloyd | ||
| Electrical Engineer | John Hiatt | |
| Electronics Consultant | Rob Dickinson | |
| Model Construction | John Pakenham | |
| Effects Assistants | Alan Poole | |
| Digby Milner | ||
| Robert McLaren | ||
| Effects Secretary | Gil Case | |
Miniature and Optical Effects Unit |
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| Effects Director of Photography | Dennis Muren | |
| Effects Cameramen | Ken Ralston | |
| Jim Veilleux | ||
| Camera Operators | Don Dow | |
| Bill Neil | ||
| Assistant Cameramen | Selwyn Eddy | |
| Jody Westheimer | ||
| Rick Fighter | ||
| Clint Palmer | ||
| Michael McAlister | ||
| Paul Huston | ||
| Richard Fish | ||
| Chris Anderson | ||
| Optical Photography Supervisor | Bruce Nicholson | |
| Optical Printer Operators | David Berry | |
| Kenneth Smith | ||
| Donald Clark | ||
| Optical Line-up | Warren Franklin | |
| Mark Vargo | ||
| Peter Amundson | ||
| Loring Doyle | ||
| Thomas Rosseter | ||
| Tam Pillsbury | ||
| James Lim | ||
| Optical Coordinator | Laurie Vermont | |
| Laboratory Technicians | Tim Geideman | |
| Duncan Myers | ||
| Ed Jones | ||
| Art Director - Visual Effects | Joe Johnston | |
| Assistant Art Director | Nilo Rodis Jamero | |
| Stop Motion Animation | Jon Berg | |
| Phil Tippett | ||
| Stop Motion Technicians | Tom St. Armand | |
| Doug Beswick | ||
| Matte Painting Supervisor | Harrison Ellenshaw | |
| Matte Artists | Ralph McQuarrie | |
| Michael Pangrazio | ||
| Matte Photography | Neil Krepela | |
| Additional Matte Photography | Michael Lawler | |
| Matte Photography Assistants | Craig Barren | |
| Robert Elswit | ||
| Chief Model Maker | Lorne Peterson | |
| Modelshop Foreman | Steve Gawley | |
| Model Makers | Paul Huston | |
| Tom Rudduck | ||
| Michael Fumer | ||
| Samuel Zolltheis | ||
| Charles Bailey | ||
| Ease Owyeung | ||
| Scott Marshall | ||
| Marc Thorpe | ||
| Wesley Seeds | ||
| Dave Carson | ||
| Rob Gemmel | ||
| Pat McClung | ||
| Animation and Rotoscope Supervisor | Peter Kuran | |
| Animators | Samuel Comstock | |
| Garry Waller | ||
| John Van Vliet | ||
| Rick Taylor | ||
| Kim Knowlton | ||
| Chris Casady | ||
| Nina Saxon | ||
| Diana Wilson | ||
| Visual Effects Editorial Supervisor | Conrad Buff | |
| Effects Editor | Michael Kelly | |
| Assistant Effects Editor | Arthur Repola | |
| Howard Stein | ||
| Apprentice Editor | Jon Thaler | |
| Production Administrator | Dick Gallegly | |
| Production Secretary | Patricia Blau | |
| Production Associate | Thomas Brown | |
| Production Accountant | Ray Scalice | |
| Assistant Accountants | Glenn Phillips | |
| Pam Trass | ||
| Laura Crockett | ||
| Production Assistant | Jenny Oznowicz | |
| Transportation | Robert Martin | |
| Still Photographer | Terry Chostner | |
| Lab Assistant | Roberto McGrath | |
| Electronics Systems Designer | Jerry Jeffries | |
| Systems Programming | Kris Brown | |
| Electronic Engineers | Lhary Meyer | |
| Mike MacKenzie | ||
| Gary Leo | ||
| Special Project Coordinator | Stuart Ziff | |
| Equipment Engineering Supervisor | Gene Whiteman | |
| Design Engineer | Mike Bolles | |
| Machinists | Udo Pampel | |
| Greg Beaumonte | ||
| Draftsman | Ed Tennler | |
| Special Projects | Gary Platek | |
| Supervising Stage Technician | T.E. Moehnke | |
| Stage Technicians | William Beck | |
| Bobby Finley | ||
| Leo Coverro | ||
| Edward Hirsh | ||
| Dick Dova | ||
| Ed Breed | ||
| Miniature Pyrotechnics | Joseph Viskodil | |
| Dave Pier | ||
| Thaine Morris | ||
| Color Timer | Ed Lemke | |
| Negative Cutting | Robert Hart | |
| Darrell Hixson | ||
| Dolby Stereo Consultant | Don Digirolamo | |
| Additional Optical Effects | Van Der Veer Photo Effects | |
| Modern Film Effects | ||
| Ray Mercer & Company | ||
| Westheimer Company | ||
| Lookout Mountain Films | ||
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20 Oct 2017 at 03:22 UTC
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