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Plot Summary:
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After investigating a mysterious transmission of unknown origin, the crew of a commercial spacecraft encounters a deadly lifeform. |
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Cast: (First 20, for the rest click 'Show All Cast & Crew' below.)
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| Show All Cast & Crew |
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Miscellaneous Companies:
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- Animals Unlimited
- Jones trained by
- Anvil Recording Studios
- music recorded at
- Lee Lighting Ltd.
- lighting
- R/Greenberg Associates Inc.
- title design
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- Sony U.K. Ltd.
- video equipment
- Steve Frankfurt Communications
- title design
- Thorn EMI Elstree Studios
- post-production
- Tony Silver Films
- title design
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Special Effects Department:
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- Filmfex Animation Services Ltd.
- special optical effects
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Filming Locations: (Now With Clickable Links To Location On Google Maps)
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Tech Info:
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- Budget:
- $11,000,000
- Revenue:
- $104,931,801
- Camera:
- Panavision Cameras and Lenses
- Color Info:
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Color (DeLuxe)
- Laboratory:
- DeLuxe, USA / Rank Film Laboratories, Denham, UK
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- Aspect Ratio:
- 2.35 : 1
- Cinematographic Process:
- Panavision
- Film Negative Format:
- 35 mm - Kodak 5247
- Printed Film Format:
- 35 mm / 70 mm
- Production Dates:
- 05 Jul 1978 - Dec 1978
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Quotes:
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Ripley: Whenever he says *anything* you say "right," Brett, you know that?
Brett: Right!
Ripley: Parker, what do you think? Your staff just follows you around and says "right"? Looks like a regular parrot.
Parker: [laughs] Yes... What, are you some kind of parrot?
Brett: Right!
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Kane: Oh, I feel dead.
Parker: Anybody ever tell you you look dead?
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Ripley: When we throw the switches, how long before the ship blows?
Parker: Ten minutes.
Ripley: No bullshit?
Parker: If we ain't outta here in ten minutes, we won't need no rocket to fly through space.
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Lambert: I can't see a goddamn thing.
Kane: Quit griping!
Lambert: I like griping.
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[Ripley has tried to disengage the self-destruct.]
Ripley: Mother! Turn the cooling unit back on! Mother! ...You bitch!
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Trivia:
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- The thin layer of mist that "notified the eggs" was made possible using a pulsating laser and smoke, borrowed from the band The Who.
- The embryonic movements of the "face hugger" (prior to bursting out of its egg) were created by Ridley Scott using both his rubber-gloved hands
- Parts of the Nostromo set were cannibalized to make the corridor in the Vogon spaceship in The Hitch Hikers Guide to the Galaxy.
- The face hugger carcass that Ash autopsies was made using fresh shellfish to recreate the internal organs.
- During production an attempt was made to make the alien character transparent or at least translucent.
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