|
Plot Summary:
|
After investigating a mysterious transmission of unknown origin, the crew of a commercial spacecraft encounters a deadly lifeform. |
|
Cast: (First 20, for the rest click 'Show All Cast & Crew' below.)
|
|
|
|
| Show All Cast & Crew |
|
Miscellaneous Companies:
|
- Animals Unlimited
- Jones trained by
- Anvil Recording Studios
- music recorded at
- Lee Lighting Ltd.
- lighting
- R/Greenberg Associates Inc.
- title design
|
|
- Sony U.K. Ltd.
- video equipment
- Steve Frankfurt Communications
- title design
- Thorn EMI Elstree Studios
- post-production
- Tony Silver Films
- title design
|
|
|
| |
|
|
Special Effects Department:
|
- Filmfex Animation Services Ltd.
- special optical effects
|
|
|
| |
|
|
Filming Locations: (Now With Clickable Links To Location On Google Maps)
|
|
|
|
Tech Info:
|
- Budget:
- $11,000,000
- Revenue:
- $104,931,801
- Camera:
- Panavision Cameras and Lenses
- Color Info:
-
Color (DeLuxe)
- Laboratory:
- DeLuxe, USA / Rank Film Laboratories, Denham, UK
|
- Aspect Ratio:
- 2.35 : 1
- Cinematographic Process:
- Panavision
- Film Negative Format:
- 35 mm - Kodak 5247
- Printed Film Format:
- 35 mm / 70 mm
- Production Dates:
- 05 Jul 1978 - Dec 1978
|
|
|
Quotes:
|
-
[Ripley has tried to disengage the self-destruct.]
Ripley: Mother! Turn the cooling unit back on! Mother! ...You bitch!
-
[Last line]
Ripley: Cargo and ship destroyed. I should reach the frontier in about 6 weeks. With a little luck, the network will pick me up. This is Ripley, last survivor of The Nostromo, signing off.
-
Ripley: When we throw the switches, how long before the ship blows?
Parker: Ten minutes.
Ripley: No bullshit?
Parker: If we ain't outta here in ten minutes, we won't need no rocket to fly through space.
-
[After discovering the alien bleeds acid.]
Parker: It's got a wonderful defense mechanism: you don't dare kill it.
-
Ripley: Ash, that transmission -- Mother's deciphered part of it. It doesn't look like an S.O.S.
Ash: Well, what is it, then?
Ripley: Well, I, it looks like a warning. I'm going to go out after them.
Ash: What's the point? I mean... by the time it takes to get there, you'll, they'll know if it's a warning or not, yes?
|
|
Trivia:
|
- Roger Dicken, who designed and operated the "face hugger" and the "chest burster," had originally wanted the latter to pull itself out of Kane's torso with its own little hands, a sequence he felt would have produced a much more horrifying effect than the gratuitous blood and guts in the release print.
- The models had to be repainted every evening of the shoot because the slime used on-set removed the acrylic paint from their surfaces.
- A sex scene between Dallas and Ripley was in the script, but was not filmed.
- In the space jockey scene, the three crew members Lambert, Dallas, and Kane are portrayed by Scott's two children and another child; this was done to make the model appear larger.
- The alien's habit of laying eggs in the stomach (which then burst out) was inspired by the spider wasp (ichneumonid) that lays its eggs in the abdomen of spiders. This image gave Dan O'Bannon nightmares, which he used in creating the story.
|
|